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Author: paul abrahams
Jazz Basics, part 2
More about the most important chord in jazz: the dominant 7. When discussing jazz basics there is nothing more basic than your understanding of the dominant 7 chord and its functions. Let’s begin by taking a look at the row of the seven 7th chords constructed over one major scale. Here is an example of… Read more »
Learning jazz basics
Learning jazz basics part 1. The dominant 7 chord and its uses.
My learn jazz piano video course
Subscribe to my Learn Jazz Piano video course and work through all 31 video lessons. It’s never been easier to learn jazz piano online! A jazz piano video course with backing tracks, sheet music and quizzes. On week one you will also receive your free copy of my eBook: Learn jazz piano.Then, each week you… Read more »
3 reasons to learn to play jazz piano in new keys
How many of you tend to stick to your favourite keys when you play jazz piano? There are a number of reasons why us keyboard players should learn to play jazz in various keys. It’s the easy option to default to the keys of C, F or G but this can be very limiting, not… Read more »
Creative jazz practice: chapter 12, book 3
Here are some great tips for creative jazz practice. This is an extract from book 3 of Learn Jazz Piano. Click here for your link to all 4 eBooks Chapter 12: Creative jazz practice Keyboard The ideal is to practice on an acoustic piano, as the sound and action will always be superior to an… Read more »
Jazz Practice
Why practise jazz? The obvious answer has to be that we practise in order to improve. But why does the very word cause many of us to go running for the TV remote? Is it just possible that the thought of jazz practice conjures up the brain numbing activity of running up and down scales… Read more »
Working with jazz singers
Understandably, most of my jazz piano students want to improvise; their prime aim is to solo creatively. However, my 40 years as a pro keyboard player has taught me that being given the opportunity to solo comes as a bonus. A more realistic expectation for a pianist is that we will spend most of our… Read more »
Teaching the blues is all a part of jazz!
A moment after writing the title of this article, up popped an image of John Lee Hooker smiling and shaking his head. “Nobody can teach you the blues. Blues is a feeling, something you have to live.” I tried explaining that I’m a jazz piano teacher and that teaching the blues is part of my job… Read more »
Stop playing jazzy. Start playing jazz!
Are you playing jazz or just playing jazzy? Here is the third in my series of articles for the website ‘All About Jazz’ I concluded my last article in this series about playing jazz with a piece of advice handed to me by one of my old jazz piano teachers: ‘Don’t try to play jazzy.’… Read more »
Stop trying to swing in jazz
What do we mean by the word swing in jazz? Referring to swing in jazz Dave Brubeck tells the story that Miles Davis approached him at the end of a gig and murmured in his ear “You’re the only person in this group that swings.” Had Brubeck replied: “What, exactly, do you mean by swing?”… Read more »